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Call for Exhibition Proposals!

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Deadline for entries: Midnight, 31st August 2014

O3 Gallery are currently accepting exhibition proposals for 2015. Whether you are a solo artist, artist group or independent curator we’d love to hear from you! To submit an exhibition proposal please email info@o3gallery.co.uk along with the following information:
 
• A covering letter, outlining how you wish to use the space, when you would prefer to exhibit and a guide to the prices you normally charge for your work.
 
• Up to 20 images of your work in low-res jpeg format. (Please label all your images with title, size, medium and date.)
 
• An up to date Curriculum Vitae.
 
• An Artist Statement.
 
• Links to any web pages with more work/information.
 
Please send all emails for the attention of Helen Statham, O3 Gallery Director. Selected exhibitions will run for approximately 3-4 weeks and are curated, installed, marketed and promoted by the O3 Gallery. The cost of this is heavily subsidised by the gallery, however as we function on a not-for-profit basis, for the benefit of the local community, we do require artists to pay an exhibitions fee of £375* in order to contribute to the costs.
 
*Exhibitions fees are £375 for selling exhibitions, alongside a gallery commission rate of 40%. The exhibition fee for non-selling exhibitions is £1,500 for a 3-4 week period.
 
For each selected exhibition the O3 Gallery purchases a piece of artwork to form part of the Oxford Castle Art Collection.

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O3 Gallery Prize for Contemporary Art Criticism Winner announced!

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We are pleased to announce that the winner of our O3 Gallery Prize for Contemporary Art Criticism is Alice McAndrew, from St Peter’s College, Oxford. Congratulations Alice!

Alice’s winning entry was a review of the Ashmolean Museum’s ‘Francis Bacon, Henry Moore: Flesh and Bone’ exhibition which took place between 12th September 2013 and 19th January 2014.  

Alice’s review will be published on the O3 Gallery website (please see below!)

Alice will also be invited to a write a further piece of critical writing for the publication and contemporary online arts and culture journal, The Flaneur.

Alice’s review was selected by the following judges, please see their comments below:

Jonathan Powell (editor of The Flaneur)
"Alice's review gives readers something of the sense of having visited the exhibition themselves. She brings up some interesting comparisons between the works of the two artists and recognises the importance of the curation. She's not afraid to actually bring some criticism into art criticism. Well done."
 
Tom Snow (postgraduate research student and teaching assistant in the History of Art Department at University College London, contributor Frieze Magazine and Afterall, amongst other contemporary art publications)
"Like all good short reviews, Alice engages in a dialogue with the works exhibited. This includes a consideration of the qualities immanent to works themselves, their relation to each other, and importantly, their relationship to the space of exhibition."
 
Joao Philippe Reid (consultant curator at O3 Gallery, contributor to US Arts Blog Hyperallergic)
"A well-written and inciteful engagement with the exhibition; importantly, the argument bypasses the themes the Ashmolean would like us to dwell on and goes straight for the curatorial jugular. An erudite critique of blockbuster glitz and the craft of curating."
 
We'd like to take this opportunity to thank our judges, our collaborative partner The Flaneur and our project coordinator Emma Mansell; without her hard work and dedication this project would not have been possible.
 
And congratulations once again to Alice McAndrew!
 
Look out for future competitions from the O3 Gallery, the next winner may be you!

Bacon, Moore and the Art of Curating
 
Art subordinated. This is what we see at the Ashmolean Museums ‘Francis Bacon, Henry Moore: Flesh and Bone’ exhibition (12 September 2013 to 9 January 2014). Not because the art is insignificant, but rather because the theatre of juxtaposition in itself steals centre stage.

Clearly, this is not the first time Bacon and Moore have been displayed together. A cabinet of catalogues greet the viewer at the exhibition entrance, with faded cut-outs revealing a history of simultaneous presentation. Yet, turning the corner to be confronted by bacons Portrait of Henrietta Moraes (1963) watching over Moore’s Falling Warrior (1956-1957), the conspicuously analogous nature of the exhibition quickly becomes inescapable.

Across three rooms (comparing early work, sculptural influence, the impact of war, monumental forms, the crucifixion theme, the placement of figures in space and representations of heads), we are walked through a dialogue of the artists’ ‘shared’ visions of the human forms.

Direct comparisons are ubiquitous. This becomes particularly advertised when a painting by Bacon, such as Portrait of a Man with Glasses III (1963), is seen through a sculpture by Moore, such as Animal Head (1951). The visual language of the circle, in the voids and spectacles, seems unavoidably harmonious. But, whether such simple comparison is appropriate is something that the exhibition calls into question.

Perhaps the most striking ‘conversation’ occurs when we see Bacons Second Version of the Triptych (1988) through Moore’s Three Upright Motives (1955-1956). Parallels of monumentality and triadic structure are blatant. However, focused thematic comparison seems to unduly minimise certain nuances. While Moore’s work offers a static harmony of piles forms, Bacon’s tortured figures seem to revel in their mobility and elasticity. 

The exhibition’s juxtaposition foreground similarities. But, interestingly the comparative shortcomings are just as compelling as the successes.

Rough incised markings on Falling Warrior patently echo the gestural, sculptural quality of Bacon’s brushstrokes in Portrait on Henrietta. But, besides superficial surface similarities, the media, subject and sentiment are polar. Bacon’s painting houses its figures in pictorial space, whereas Moore’s sculpture is ‘contextless’, meaning that the viewer is intimately engaged with same space as the subject. Bacon’s work parades exotica, Moore’s contemplates death. Essentially, the viewer is confronted by Bacon’s figure, whereas the viewer is encouraged to confront Moore’s.

Equally, some comparisons of subject seem more forced that substantial. In Bacon’s Study from the Portrait of Pope Innocent X (1965) the subject’s face is debased: a white-rose smear seems thrown at the subject with callous indifference. Moore’s King and Queen (1952-1953) seems the antithesis os the animistic treatment of the human body: the calm demeanour of Moore’s wafer-like duo is rendered delicately, with the Queens hand tentatively clasped together.

After the brutal force of Bacon, the sentimentality of Moore’s work seems pronounce. However, when encountering Moore’s Sleeping Positions (1940-1941) – which shows eight convulsive bodies strewn across an apocalyptic landscape – we are reminded that Moore was equally capable of grating, unglamorous depictions.

Some works seem to fit uncomfortably with both artists. A conventional view of Moore’s work is shattered when we stumble across Three Points (1939-1940); the geometric sculpture’s untarnished surface seems not to speak in Moore’s tongue, let alone Bacon’s. When ideas within an artist’s repertoire seem divergent, how can a stable comparison between two artists ever be drawn?

Indubitably, art is always encountered in a selective, contextualised format. Looking at Moore’s Reclining Figure: Festival (1951) in the light of the ambiguous, but clearly constructed, private world of Bacon’s Figure in a Mirror (1971), we notice interior-exterior tensions. Moore’s mottled green-black sculpture, in clear rapport with nature, would be conceived quite differently outdoors, While Bacon can create a space for his work, Moore is forced to rely on the curator’s sensibilities and accept that the gallery  cannot satisfy the want of space his work demands.

Practical constraints become implicitly highlighted through the comparative endeavours. The soaring height of Moore’s Three Upright Motives means that it could not be housed in the exhibition’s final room. Instead of reaching a crescendo, the third room displays less imposing works. The comparisons do not purely reflect the force of curatorial imagination, rather an imaginative attempt to compare the two artists within the given conditions.

Essentially, the exhibition is a pure experimentation in the performance of curating. It shows us that by comparison we can undercover nuances in artworks we had not previously been attuned to. However, its direct – and often strained – comparisons also force us to consider the extent to which any comparison is more that just superficial. What we see is clearly manipulated by the way we see it. The art historian John Berger’s famous words, “The meaning of an image is changed according to what one sees immediately beside it or what comes immediately after it”, are challenged in an enthralling visual enactment.
 
By Alice McAndrew


 
 
     
 

O3 Gallery Internship

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(Voluntary position. Based on a three month internship of 3 half days per week.)

O3 Gallery is a high quality, contemporary art space that offers the public affordable, original artwork, in the heart of Oxford Castle Quarter. The gallery is open to the public six days a week throughout the year and has no admission fee. Proudly describing itself as the friendliest gallery in Oxford, O3 Gallery endeavours to be a welcoming centre for artistic activity and achieves this through the delivery of varied, high quality exhibitions and events related to all aspects of the arts, created for the benefit of the local community and visitors to the area.

An internship with us would suit an arts student at Bachelor’s Degree / Masters level, or a recent graduate who is looking to gain experience and knowledge in a gallery environment.

Our internships generally involve working on projects under the supervision of gallery staff, but will also require a great deal of creative thought and initiative. Interns may be involved in such areas as administration, marketing or exhibition installation. We also have opportunities to run events related to the gallery exhibition programme.

For full details click HERE

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Oxford Castle Quarter Key Card

O3 Gallery, Free

key card

You can pick up an Oxford Castle Key Card from O3 Gallery to receive discounts and promotions from venues across the Quarter.

 
     
 

Pioneering Delicious Handmade Pizza Since 1965

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Pizza Express, Castle Street Square, Oxford Castle Quarter
11.30am till late, Monday to Sunday


Inspired by a love of real Italian pizza, Pizza Express has been pioneering delicious handmade pizza since 1965. Keen to share the love and la dolce vita there’s always an un-missable offer to take advantage of at Pizza Express in the Oxford Castle Quarter. With so many offers worth sharing all that’s left to do is sign up for news and offers and download the latest offer code here www.pizzaexpress.com Call 01865 723 400 to make a reservation.

 
 
     
 

2-4-1 Cocktails

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The Living Room, Justice Walk, Oxford Castle Quarter
Sunday from 3pm throughout 2012


2-4-1 on selected Cocktails at The Living Room in the Oxford Castle Quarter - What better way to spend your Sunday afternoon!?

For more details click here

Call 01865 260 210 to make a reservation.

 
 
     
 

Club Mal

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Malmaison Brasserie, Justice Walk, Oxford Castle Quarter
Throughout 2012
Lunch: Monday-Saturday, Dinner: Monday – Friday before 7.30pm

Dining deals, go digital. Club Mal is the new smarter way to get instant access to the very best value dining deals from Malmaison.

It’s really simple, just register online at www.malmaison.com/clubmal, fill in the form to register direct from your smart phone, you will then receive an email to confirm your access to the Club Mal offer of the month.

Print your voucher and present it upon arrival or show a member of staff your smart phone screen once downloaded upon arrival, remember to quote Club Mal when booking.

To make a reservation call 01865 268 400.

 
 
     
 

Tapas & Wine for £9.95

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La Tasca, Castle Street Square, Oxford Castle Quarter
Mondays & Tuesdays from 5pm until further notice

Start the week as you mean to go on with a splash of Spanish style in La Tasca in the Oxford Castle Quarter. Choose any three tapas dishes from their 'tapas & wine' menu plus a 175ml glass of wine for £9.95.
 
Terms and Conditions apply, see the La Tasca Website for details and also to view the Tapas & Wine for £9.95 Menu


Call 01865 246 464 to make a reservation.

 
 
     
 

Table d'hôte Menu

O3 gallery Pizza Express

The Living Room, Justice Walk, Oxford Castle Quarter
Monday to Friday, 3 to 7pm

The Living Room restaurant and bar on Justice Walk in the Oxford Castle Quarter have introduced a very tasty new offer to tempt your taste-buds between 3 and 7pm on Mondays to Fridays. Choose either 2 courses for £10.95, or 3 courses for £14 from their Table d'hote menu – bon appétit!
 
Call 01865 260 210 to make a reservation.

 
 
     
 

Say Hola to Fantastic Rewards

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La Tasca, Castle Street Square, Oxford Castle Quarter
Ongoing Promotion

Say hola to fantastic rewards with an “I ♥ La Tasca Kitchen” Loyalty Card and receive exclusive offers that you can use every day of the week at La Tasca in the Oxford Castle Quarter!

Who wants to be bothered with coupons when you can flash your card?

Apply for a free loyalty card here or  Call 01865 246 464 to make a reservation.

 
 
     
 

Unlock the door to great savings within the walls of Oxford Castle Quarter

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Get even more from your visit to Oxford Castle Quarter with our fantastic Loyalty Cards and Key Cards. Collect your Key Card from O3 Gallery in Castle Street Square (O3 Gallery is closed on Mondays).
 
Find out about new and upcoming offers and events by joining the Oxford Castle Quarter Mailing List
 
Sign Up to our mailing list here
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Malmaison Hotel 20% Off

20% off Food & Beverages
Tel: 01865 268400
Read more here

 
     
 

La Tasca 25% Off

25% off Food
Tel: 01865 246464
Read more here

 
     
 

Pizza Express 20% Off

20% off Food & Beverages
Tel: 01865 723400
Read more here

 
     
 

Krispy Kreme 20% Off

20% off doughnuts and beverages
Tel: 01865 794211
Read more here

 
     
 

Prezzo 2 for 1

2 for 1 Main Courses (Sunday - Thursday)
Tel: 01865 791748
Read more here

 
     
 

Oxford Castle - Unlocked 10% Off

10% off Tour Admissions
Tel: 01865 260666
Read more here

 
     
 

O3 Gallery 10% Off

10% off Selected Purchases
Tel: 01865 246131
Read more here

 
 
 
     
 

O3 Gallery Requires new interns

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We are currently seeking interns to join the O3 Gallery team. Download the below document for further information: Click here

 

 

 
     
     
O3 Gallery Oxford Castle Oxford OX1 1AY
01865 246131
info@o3gallery.co.uk
Open: Tues-Fri 12-5pm, Sat & Sun 11am-4pm, Closed Mondays.
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